Grotesk and neo-grotesk typefaces are a fundamental part of the tools that make this aesthetic possible. It’s a visual language that has filled us with admiration ever since we were students.
That’s why we decided to design Armin as a tribute to Hofmann’s work. Technically, we added stylistic variations to the letters—G, R, a, g, h, l, m, n, r, t, u, and y—to make Armin a more eclectic typeface, better suited for creating any visual language.